
Alexandre Dumas et la musique
Featuring
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1/7Composer's Artistic Vision
Alexandre Dumas felt that poetry and music were rivals, not sisters, because poetry is itself a form of music.
Composition History
Alexandre Dumas had promised to write an opera libretto for Vincenzo Bellini, a renowned bel canto composer, but Bellini died before Dumas could return from Italy to fulfill his promise.
Recording & Production
This album was created to commemorate the 150th anniversary of Alexandre Dumas's death, featuring vocal works based on his texts and performed by artists associated with Jeunes Talents.
Composition History
Despite his reservations about music, Alexandre Dumas collaborated with composers by writing opera librettos, songs for his plays, and allowing his verses to be set as salon romances.
Cultural Impact
Alexandre Dumas's 'Chant des Girondins' from Le chevalier de Maison-rouge, set to music by Alphonse Varney, rivaled 'La Marseillaise' in popularity during the 1848 revolution.
Composer's Artistic Vision
Alexandre Dumas, despite claiming to be unmusical and unable to reproduce a melody, believed his "soul sings in tune" and could hear "inner music."
Historical Context
The 'romance' in 19th-century French music, initially defined by its simplicity and nostalgic themes, eventually declined in popularity due to overproduction and clichés.






























