The album was recorded in the church of Bouc-Bel-Air, France, on an exceptional organ designed by Jean Daldosso, which combined respect for 17th and 18th-century music with modern construction and pitch.
Interpretation
The recording aims to revive the improvisational aspect of Bach's music, recognizing that improvisation was a significant part of his work, especially his organ music.
Album & Artwork
The album's concept originated from an encounter between Raphaël Imbert, a saxophonist and director, and André Rossi, an organist and professor, who discovered a shared improvisational and spiritual connection between Bach and Coltrane.
Critical Reception
Despite its success with classical media, this album was initially shunned by jazz media, leading to Raphaël Imbert, the saxophonist and director, being excluded from jazz festivals for six years.
Interpretation
The project also seeks to re-establish John Coltrane, a renowned jazz virtuoso, as a masterful composer, whose influence extends beyond the jazz world.
Composer's Artistic Vision
Raphaël Imbert, the saxophonist and director, believes that certain composers, like Bach and Ravel, invite improvisation, allowing musicians to play with their music in a playful way.
Performer Biography
Gérard Lesne, a countertenor who contributed to the revival of Baroque repertoire, also has a background in rock music and is a jazz enthusiast, making his participation a fitting choice for this project.
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