
Bach: Goldberg Variations, BWV 988
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1/7Compositional Technique
The final variation, a Quodlibet, combines parts of two popular folk songs from Bach's time: 'Ich bin so lang nicht bei dir g'west' and 'Kraut und Rüben haben mich vertrieben'.
Critical Reception
The Goldberg Variations have been recorded at least a thousand times since the 1930s, with Wanda Landowska making the first recording in 1933.
Cultural Impact
The Goldberg Variations have inspired writers, filmmakers, theater artists, mathematicians, numerologists, psychoanalysts, and esotericists.
Interpretation
Since Bach left no tempo indications, the playing time of the Goldberg Variations can range significantly, from 39 minutes (Glenn Gould, 1955) to nearly 90 minutes, also depending on the number of repetitions played.
Compositional Technique
Bach integrated musical forms and genres from 200 years of musical history into the Goldberg Variations, including eight canons, a polonaise, gigue, minuet, sarabande, trio sonata, and toccata.
Composition History
The Goldberg Variations were reportedly commissioned by Count Hermann Carl von Keyserlingk, the Russian envoy to the Dresden court, to help him with his insomnia.
Composition History
Count Keyserlingk wished for his highly gifted court harpsichordist, Johann Gottlieb Goldberg, to play the variations for him from dusk till dawn.













