
Bach faced a constant challenge in Leipzig after 1723 to adequately perform his figural works, as he had to work with a heterogeneous ensemble rather than professional court musicians.
Bach, primarily an organist by training and self-perception, placed the organ at the center of his performances, making a greater contribution than in comparable recordings.
The performers on this album aim to find the logically convincing tempi that Bach himself intended, using a consistent pulse within a field of tempi.
The album cover features a painting of Martin Luther by Lucas Cranach the Elder.
This recording was made at Melanchthon-Kirche Köln-Zollstock, with different cantatas recorded across three separate sessions in 2015 and 2016.