The recording aims to interpret Bach's works based on his own stated minimal demands for performing 'well-appointed church music' in Leipzig, as outlined in his 1730 document.
Interpretation
The recording seeks to establish meaningful tempo relations between choruses and arias within a cantata by using a consistent pulse, based on medieval tempo theory.
Album & Artwork
The cover painting for this album is a portrait of Martin Luther by Lucas Cranach the Elder.
Interpretation
The simple four-part chorales are performed undramatically, as an expression and reflection of a Christian believer, with fermatas serving as points of repose for reflection on the text.
Interpretation
For this recording, secco recitatives are performed either consistently long or consistently short within a single cantata, avoiding subtle distinctions to create a broad, supportive 'fondamento'.
Recording & Production
This album is a co-production with Deutschlandfunk, a German public radio broadcaster.
Interpretation
The organ, which is central to these performances, is similar in size to the Brustwerk organ available to Bach in Leipzig and makes a greater contribution than in comparable recordings.
