
Bach: Sonatas & Partitas
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1/7Performer Biography
Miriam Fried, the violinist on this recording, has been recognized as one of the world's preeminent violinists, known for her "fiery intensity and emotional depth" and technical mastery.
Composition History
The manuscript for Bach's Six Solos for violin without an accompanying bass, consisting of three Sonatas and three Partitas, was completed in 1720, though he may have started them around 1713.
Performer Biography
Miriam Fried plays a 1718 Stradivarius violin, which was reportedly the favorite instrument of the composer-conductor Louis Spohr and also owned by Regina Strinasacchi, for whom Mozart wrote a sonata.
Recording & Production
This recording is a composite of a live performance at The Jerusalem Music Center on December 20, 2016, and subsequent recording sessions, aiming to retain the atmosphere of a live performance with minimal editing.
Critical Reception
The Bach Sonatas and Partitas for solo violin are considered a summit of violin literature, with Georges Enescu calling them the 'Himalayas of violinists'.
Critical Reception
The Ciaccona from the D minor Partita is highly acclaimed, with Johannes Brahms stating that its creation would have driven him 'out of my mind' and Yehudi Menuhin calling it 'the greatest structure for solo violin that exists'.
Composer's Artistic Vision
Bach, a devout Lutheran, used the violin to explore profound questions of life, death, beauty, and nature, all in service of God, pushing the instrument's capabilities to its limits.














