The instruments used in this recording are period instruments, including a natural trumpet, horns after Michael Leichamschneider, and a harpsichord after Michael Mietke.
Composer's Artistic Vision
Bach's intention in compiling the Brandenburg Concertos was to form a coherent work whose unity stemmed from its variety and differences, showcasing his mastery of the concerto form.
Compositional Technique
Bach often omitted specific tempo indications in the first movements of the Brandenburg Concertos, using the 'alla breve' symbol (₵) to suggest a particularly fast tempo beaten in two.
Composer's Artistic Vision
Bach combined Italian and French styles with strict German counterpoint to create a 'gemischter Styl' (mixed style), a practice proudly flaunted by German composers.
Composition History
The Brandenburg Concertos are named after their dedication to Margrave Christian Ludwig of Brandenburg-Schwedt, half-brother of King Friedrich I of Prussia.
Historical Context
The use of French in the original title of the Brandenburg Concertos reflects the strong influence of the court of Versailles on German courts in matters of art and culture.
Composition History
The variety in structure and instrumentation of the Brandenburg Concertos suggests they were previously composed works gathered into a single cycle, rather than written specifically for the collection.
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