
Bach: Was mein Gott will - Cantatas BWV 5, 33, 94, 111, 113, 135, 178
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1/7Composition History
Due to his strict compositional principles for this cycle, almost all of these cantatas are newly composed works, rather than relying on existing material.
Composition History
This album features cantatas from Bach's annual cycle of chorale cantatas, which he wrote between Trinity Sunday 1724 and Easter 1725.
Compositional Technique
In this cycle, Bach based each cantata on a hymn, starting with an elaborate chorale fantasia and ending with a plainly harmonized final movement.
Interpretation
The performers on this recording aim to use the same forces Bach specified in his 1730 'Short But Most Necessary Draft for a Well-Appointed Church Music' for church music in Leipzig.
Compositional Technique
Bach combined the Central German chorale cantata form, cultivated by his predecessor at St. Thomas's, with more modern forms inspired by Italian opera.
Interpretation
This recording uses a contrabassoon in the outer movements of some cantatas to achieve Bach's preferred bass-heavy sonorities, even though the instrument was only available to him later.
Interpretation
The organ, which is similar in size to Bach's Brustwerk organ in Leipzig, plays a prominent role in this recording, often doubled by a harpsichord.























