This recording reconstructs the original structure of the Vespers by interposing Banchieri's psalms, hymn, and Magnificat with antiphons and other parts from ancient rituals.
Instruments
The organ used in this recording is a Luca da Cortona organ from 1534-36, played by Alfonso Fedi.
Composition History
The 'Vespro per la Madonna' on this album is a liturgical reconstruction based on Banchieri's 'Terzo Libro di nuovi pensieri ecclesiastici' from 1613, which includes concerted psalms for Marian Vespers.
Historical Context
The Marian theme of this collection reflects the privileged worship of the Virgin Mary during a period still influenced by Counter-Reformation ideals.
Composer Biography
Adriano Banchieri, an Olivetan monk from Bologna, was a versatile artist involved in theatre, poetry, prose, teaching, organology, and founded the Accademia de' Floridi.
Compositional Technique
Banchieri's concerti in this collection showcase a range of modern compositional styles, including 'passaggiati' (virtuosic passages), 'accentuati' (expressive embellishments), 'affettati' (affections), and 'in eco' (echo effects).
Composer's Artistic Vision
Banchieri systematically adopted the new style of solo voice with basso continuo accompaniment in his sacred music, particularly in his three books of Nuovi pensieri ecclesiastici.
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