This album is part of a complete recording of Beethoven's piano concertos in chamber music arrangements by Vinzenz Lachner, which is the first recording of its kind.
Critical Reception
Beethoven's Symphony No. 2 was not universally praised by contemporary critics, with one reviewer noting its 'wealth of affectively intertwined ideas' and 'much too frequent use of the most garish instruments'.
Composition History
Beethoven himself arranged his Symphony No. 2 for piano trio three years after its original composition, partly to ensure its wider distribution and to secure income from publishers.
Composition History
Franz Liszt was engaged to arrange the orchestral part for the second piano in Sigmund Lebert's 1881 edition of Beethoven's piano concertos, giving the soloist an intensive role in the orchestral sound.
Composition History
Beethoven's Symphony No. 2 was composed at a time when he was already suffering significantly from progressing deafness, as evidenced by his 'Heiligenstadt Testament' from 1802.
Composition History
The chamber music arrangements of Beethoven's piano concertos featured on this album were initiated by German pianist and pedagogue Sigmund Lebert, who collaborated with Vinzenz Lachner in 1881.
Historical Context
The chamber music arrangements of orchestral works, such as those by Vinzenz Lachner, became popular during the Biedermeier period because grand orchestral performances were impractical in bourgeois homes.
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Collected Works
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Giambattista Martini, Georg Philipp Telemann, Tomaso Albinoni, Giovanni Buonaventura Viviani, Benedetto Marcello & Johann Wilhelm Hertel: Barockmusik Für Trompete Und Orgel
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Balada: Caprichos Nos. 1 & 5
J.s. Bach: Sonaten BWV 1027-29
Cello Recital: Bailey, Zuill - Francoeur, F. / Bach, J.S. / Beethoven, L. / Mendelssohn, F. / Chopin, F. / Vieuxtemps, H.
