Like many great composers, Ludwig van Beethoven never experienced a lasting, happy romantic relationship, but his unfulfilled desires inspired his artistic imagination.
Composition History
The Violin Sonatas Op. 23 and Op. 24, often considered 'sister-oeuvres,' were originally edited together as Op. 23/1,2 and dedicated to Beethoven's friend and benefactor Moritz von Fries.
Composition History
Many of Beethoven's Violin Sonatas, including those on this album, were composed during his close relationship with Josefine Brunsvik (Deym), with whom he was in love.
Critical Reception
Upon their publication in 1802, both Violin Sonatas Op. 23 and Op. 24 were enthusiastically received by critics, who praised Beethoven's 'witty, fiery and bold spirit' and the works' clarity and cheerful Scherzos.
Composer's Artistic Vision
Beethoven was very deliberate in his choice of keys; for example, he used F major for his 'Pastoral Symphony' to evoke a picture of rural serenity, and also for works connected to his 'Immortal Beloved,' Josefine Brunsvik.
Compositional Technique
In his '12 Variations on 'Se vuol ballare',' Beethoven intentionally made the piano part difficult, especially the trills, to challenge local piano masters whom he considered 'deadly enemies.'
Composition History
Beethoven's '12 Variations on 'Se vuol ballare'' from Mozart's 'Le nozze di Figaro' (WoO 40) was composed in 1793 and dedicated to Eleonore von Breuning, his first love.
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Beethoven: Sonata No. 8, Op. 30, No. 3 in G, Sonata No. 10, Op. 96 in G
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Beethoven: 9th Symphony, Op. 125, Transcription for Violin and Piano by Hans Sitt
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Violin Sonata No. 10 in G Major, Op. 96: III. Scherzo. Allegro
