This recording uses a complete reconstruction of the score and performance material for 'Die Weihe des Hauses', created in 2020 by Peter Berg, as no complete edition had previously existed.
Compositional Technique
The Overture to 'Die Weihe des Hauses' (Opus 124) was placed prominently between Beethoven's Missa solemnis and Ninth Symphony, suggesting his approval for its use as a concert overture.
Recording & Production
The reconstruction for this recording corrected a long-standing error in Beethoven's manuscript for No. 4, changing 'Sterben' (dying) to 'Streben' (striving) to match the libretto and rhyme.
Composition History
Beethoven adapted and expanded his earlier music for August von Kotzebue's 'Die Ruinen von Athen' (The Ruins of Athens, 1812) for 'Die Weihe des Hauses'.
Performer Biography
Bass-baritone Klaus Mertens is known for his historically unique complete recordings of the oeuvres of Johann Sebastian Bach and Dieterich Buxtehude, where he sang all parts for his voice type.
Composition History
Beethoven composed new music for 'Die Weihe des Hauses' in September 1822, specifically for texts by Carl Meisl that had no suitable existing music from 'Die Ruinen von Athen'.
Composition History
Beethoven's music for Carl Meisl's play, 'Die Weihe des Hauses' (The Consecration of the House), was performed in Vienna on October 3, 1822, for the reopening of the Theater in der Josefstadt.
