
Bellini, the composer of I puritani, prioritized the dramatic representation of character as much as, or more than, singing ability, as seen in his insistence on Giuditta Pasta for the role of Norma.
Maria Callas's success in two very different roles, Brünnhilde and Elvira, led to comparisons with legendary singers like Lilli Lehmann.
Conductor Tullio Serafin believed Maria Callas could bring dramatic credibility to bel canto roles, which had previously been showcases for vocal agility.
Maria Callas, the soprano singing Elvira, met conductor Tullio Serafin in 1947, who became the second great musical influence on her life.
Maria Callas learned and performed the role of Elvira in Bellini's I puritani at Venice's La Fenice with only three days' notice.
This recording was made in Milan at the Basilica di Sant'Eufemia between March 24-30, 1953, in cooperation with E.A. Teatro alla Scala.