
Maria Callas's interpretation of Norma in this 1954 recording showcases her ability to spin out delicate piano phrases and achieve an intimate level of artistry.
Maria Callas used the opera Norma for important debuts in cities like London, New York, and Paris.
Franco Zeffirelli's legendary 1964 Paris staging of Norma was Maria Callas's final new production of an opera before she bid farewell to the opera stage in 1965.
The producer for this recording was Walter Legge, and the balance engineer was Robert Beckett.
This 1954 recording of Norma was made in cooperation with E.A. Teatro alla Scala, Milan, at Cinema Metropol, Milan.
Maria Callas, the soprano singing Norma, performed this role 89 times between 1948 and 1965, making it her most frequent stage role.