
Berlioz: Harold in Italy - Paganini: Sonata per la Grand Viola e Orchestra
Featuring
Did you know?
1/7Composer's Artistic Vision
Berlioz intended the solo viola in Harold in Italy to act like a character, a melancholy dreamer in the style of Byron's Childe Harold, retaining the same character throughout the orchestral scenes.
Composer Biography
Nicolò Paganini, a Genoese violinist, was so virtuosic that some suspected him of being in league with the Devil.
Interpretation
For this recording, David Aaron Carpenter, the violist, reinstated virtuoso passages that Berlioz had originally written for Paganini in Harold in Italy but later cut.
Performer Biography
David Aaron Carpenter, the violist on this album, plays on a Michele Deconet viola from Venice, made in 1766, known as the 'Ex-Hamma.'
Composition History
The seeds for Berlioz's Harold in Italy were sown after he won the Prix de Rome in 1830 and traveled through Italy with Lord Byron's poems.
Notable Performances
When Paganini heard Harold in Italy in 1838, he was so moved that he sent Berlioz 20,000 francs, with a note stating, 'Beethoven being dead, only Berlioz could make him live again.'
Composition History
Paganini commissioned Berlioz to write a work for a magnificent 1731 Stradivari viola he had been lent, which eventually became Harold in Italy.


















