
Brahms Intimissimo with Blüthner 1862
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1/6Compositional Technique
Jörg Widmann, a contemporary composer, incorporates associations on intellectual, emotional, and psychological levels into his 'Intermezzi,' creating a mesmerizing experience.
Interpretation
Pianist Sheila Arnold's encounter with the Blüthner 1862 instrument has changed her approach to the musical works, influencing her choice of tempi.
Instruments
This recording features a Julius Blüthner grand piano, serial number 2180, built around 1862, which has straight-strung strings.
Composer's Artistic Vision
Johannes Brahms referred to his Op. 117 Intermezzi as 'lullabies of my pain,' suggesting a deeply personal and intimate expression.
Interpretation
Pianist Sheila Arnold believes the Blüthner 1862 grand piano has a 'humanity in its timbre' and 'clarity of polyphony,' with individual notes possessing depth and lightness.
Interpretation
The unique construction of the Blüthner 1862, with its straight-strung strings, creates an unmistakable tone quality and adds a multidimensional layer for the listener, especially with headphones.
















