The recording process was described by artist Gunnel Wåhlstrand as "eight hours of constant goose bumps," highlighting the magical atmosphere in the control room.
Recording & Production
The recording utilized a 96/24 format, Neumann microphones, RME microphone pre-amp and AD converter, and Magix Sequoia DAW for editing, mixing, and mastering.
Performer Biography
Malin Broman, the violinist and violist on this recording, plays a 1709 Stradivarius violin, which is a loan from the Järnåker Foundation.
Composer's Artistic Vision
Composer Britta Byström chose paintings by Gunnel Wåhlstrand that resonated with her, discovering a theme of travel from distance to closeness when arranged chronologically.
Composer's Artistic Vision
Artist Gunnel Wåhlstrand's painting technique involves using permanent ink on paper, creating an "element of threat" that keeps her sharp and attentive during the process.
Compositional Technique
Composer Britta Byström uses reverberation to represent the "unpainted background" or white areas in Gunnel Wåhlstrand's ink wash paintings, requiring extensive use of the sustain pedal on the piano.
Composition History
The project originated from violinist Malin Broman, who initiated the idea of creating something together with composer Britta Byström and artist Gunnel Wåhlstrand.
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