Antje Weithaas, the violinist on this recording, is known for her captivating stage presence and technical sovereignty, always deferring to the music itself.
Composition History
Bruch's Violin Concerto No. 3 in D minor was originally conceived as a separate "Concert Allegro in D minor" but was expanded into a full concerto after discussions with violinist Joseph Joachim.
Composer's Artistic Vision
Bruch aimed to combine the melodic and polyphonic elements more thoroughly in his works, seeking to capture "ineffable impressions in the strict forms of great instrumental music."
Composer Biography
Max Bruch, the composer, was described by a contemporary critic in 1868 as having a "decided and rich inventive talent" and "complete command of the technical means of his art."
Critical Reception
Max Bruch was highly critical of how even renowned violinists like Joseph Joachim and Pablo de Sarasate performed his works, often complaining about their tempos and interpretations.
Recording & Production
This album is the final part of a three-part series featuring Max Bruch's complete works for violin, with the last part of Bach and Ysaÿe's solo violin works also being released in 2016.
Notable Performances
The premiere of Max Bruch's Violin Concerto No. 3 in D minor on May 31, 1891, was a "triumph" for the soloist Joseph Joachim, performed with 800 singers from various choirs.
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