Elisabetta Brusa won First Prize at the Washington International Competition for Composition in 1982 for her string quartet.
Compositional Technique
In both the Requiem and Stabat Mater, Elisabetta Brusa maintained a discrete relationship between vocal parts and orchestra, using essential vocal counterpoint and orchestration for an archaic atmosphere.
Composer's Artistic Vision
Elisabetta Brusa composed her Requiem not out of religious necessity, but from a humane and spiritual sharing, dedicating it to her parents.
Composer Biography
Elisabetta Brusa, an Italian/English composer, graduated from the Milan Conservatory in 1980 and later studied with Peter Maxwell Davies and Hans Keller in England.
Composer Biography
Elisabetta Brusa served as a professor of composition and orchestration at the Milan Conservatory from 1985 to 2018.
Composition History
Elisabetta Brusa composed the Stabat Mater as a trial for her Requiem, finding the text easier to understand.
Compositional Technique
Elisabetta Brusa's Requiem uses alternating major and minor tonalities, with triads connected by a common note for smoother transitions, unlike the Stabat Mater which uses abrupt E and E flat alternations.
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Motets romantiques
Schoenberg, A.: Kol Nidre / Bernstein, L.: Halil / Bloch, E.: Baal Shem / Zeisl, E.: Requiem Ebraico (Remembrance)
Vanitas vanitatum [Rome 1650]
Mozart: Requiem - Paisiello: Messe pour le sacre de Napoléon
Schumann: Die Großen Chorwerke / The Great Choral Works
Fauré: Requiem op.48 · Pavane op.50 · Elégie op.24 · Après un Rêve op.7
