
Busoni: Integrale delle composizioni per Cello e Piano
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1/7Composer Biography
Ferruccio Busoni, born to a German mother and Italian father, experienced a lifelong internal conflict between his two heritages, speaking Italian in dreams but thinking in German when writing.
Composer's Artistic Vision
Busoni believed that art was humanity's only 'weapon' and saw his work as balancing tradition and memory (Erinnerung) with the future and anticipation (Erwartung).
Instruments
Luca Paccagnella performs on a cello from the Cremonese school dating from the late 17th century.
Compositional Technique
Busoni dedicated over 25 years to revising, elaborating, and transcribing numerous works by J.S. Bach, an activity he considered 'para-compositional'.
Historical Context
Busoni died in 1924, just a year after Arnold Schoenberg developed twelve-tone technique, which sacrificed traditional melody—a concept Busoni believed should 'dominate, alone and supreme' in future music.
Composer's Artistic Vision
Busoni based his compositional technique on the 'very special 'treatment of periods'' found in the works of Franz Liszt, a composer he greatly admired.
Composer's Artistic Vision
Busoni learned from Bach that 'good, grand, 'universal' music remains the same, regardless of the means by which it is heard,' highlighting his focus on interpretation.
















