Couperin, L.: Harpsichord Suites / Tombeau De M. De Blancocher

Featuring

Laurence Cummings
Louis Couperin

Did you know?

1/7

Performer Biography

Laurence Cummings, the harpsichordist, studied at Oxford University as Organ Scholar in Christ Church Cathedral and later at the Royal College of Music, where he won the prestigious Raymond Russell Prize.

Interpretation

The recording uses two historical temperaments: 1/4 comma meantone, common from the 16th to 18th centuries, and an 18th-century French temperament that avoids 'wolf' intervals and favors sharp keys.

Composer Biography

Louis Couperin refused the post of resident harpsichordist, 'joueur d'espinette', out of deference to his mentor Chambonnieres, who still held the position.

Composer Biography

Louis Couperin, the composer, was discovered by the grand harpsichordist Monsieur Chambonnieres, who was so impressed by Couperin's playing that he brought him to the Royal Court in Paris.

Compositional Technique

Louis Couperin's 'Preludes non mesures' were a profound and influential addition to the repertoire, replacing improvised preludes with notated, yet rhythmically free, compositions.

Compositional Technique

The 'Tombeau de Mr Blancrocher' is a musical tribute to the lutenist Charles Fleury, Sieur de Blanchrocher, who died falling downstairs, with the music reflecting this event through downward leaps in the bass and high registers for his ascent to heaven.

Instruments

The harpsichord used in this recording is based on a 1624 instrument by Joannes Ruckers, which was later modified by 'petit ravalement' to expand its compass.