Johann Sebastian Bach's Concerto nach Italienischen Gusto (Italian Concerto) imitates an orchestral composition for a two-manual harpsichord, using the two keyboards to suggest different dynamics, timbres, and roles.
Historical Context
The use of two harps was common in monasteries in Silesia and Moravia for both liturgical and non-liturgical occasions.
Instruments
The album title, "Davidsharfen," refers to various types of harps, including chromatic harps with two rows of strings, hook harps, and single-row harps.
Instruments
The harps used on this recording include Italian Arpa doppia with three rows, Italian Arpa doppia with two rows, a hook harp with a bray bar, a German two-row Davidsharfe with brays, and a single-row harp with brays.
Historical Context
In aristocratic homes, harp lessons were a common part of girls' education, as exemplified by Josepha Harrach, who received lessons from an imperial court orchestra member.
Composer Biography
Silvius Leopold Weiss, the most famous lutenist of his time, was the Cammerlautenist at the Dresden court, where his compositions were heard by other musicians.
