
Dillon: The Soadie Waste, Dillug-Kefitsah, Del Cuarto Elemento, Traumwerk, Book 3 & black/nebulae
Featuring
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1/7Composer Biography
James Dillon, born in Glasgow in 1950, has had his music published by Peters Edition since 1982 and studied Indian music in the early 1970s.
Composition History
The piano quintet the soadie waste is the second part of a projected 'Anthropology' cycle and its title refers to a local name for a social club in Rutherglen, on the outskirts of Glasgow, built on the wasteland of an old chemical factory.
Composition History
The solo violin piece Del Cuarto Elemento is inspired by the element of water, drawing on a poem by Jorge Luis Borges and Gaston Bachelard's commentary on Isidore Ducasse.
Composition History
The Traumwerk series, featured on this album, is inspired by Albrecht Dürer's comment about 'dreamwork' and his intricate marginalia for Emperor Maximilian's Prayer Book, as well as Paul Klee's notion of 'a line going for a walk around a line'.
Composition History
The earliest piece on this album, Dillug-Kefitsah for solo piano, takes its title from the 13th-century Book of Combination by Abraham Abulafia, meaning 'jumping and skipping'.
Performer Biography
Noriko Kawai, one of the pianists on this album, is a Professor of Piano at the Royal College of Music, London, where she also studied.
Performer Biography
Irvine Arditti, the violinist on this album, joined the London Symphony Orchestra in 1976 and became its Co-Concert Master at age 25 before leaving to focus on the Arditti Quartet, which he formed as a student.



















