Sir Adrian Boult, the conductor for most of these recordings, was one of the few conductors who made recordings through an acoustic horn in 1920 and lived to see the introduction of digital recording.
Performer Biography
Sir Adrian Boult recorded more of Elgar's music than any other conductor, including the Second Symphony five times and the First Symphony three times.
Recording & Production
The opening track, Elgar's Pomp and Circumstance Military March No. 1, was recorded at the Royal Festival Hall's opening concert on May 3, 1951, an event formally opened by King George VI.
Performer Biography
The London Philharmonic Orchestra, founded in 1932 by Sir Thomas Beecham, has been led by many great conductors including Sir Adrian Boult, Bernard Haitink, and Sir Georg Solti.
Recording & Production
The recording of Elgar's 'symphonic study' Falstaff by the London Symphony Orchestra under Elgar remained the only recording of the work for nearly 20 years.
Recording & Production
Elgar himself made the first commercial recording in EMI's new Abbey Road Studios in November 1931 and performed at its formal opening, an event captured on film by Pathé.
Interpretation
Sir Adrian Boult's interpretation of Elgar's 'Nimrod' from the Enigma Variations broadened over time, with his 1961 recording being 40 seconds longer than his 1936 version.
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Elgar: Enigma Variations
Elgar: Pomp and Circumstance Marches, Op. 39, The Crown of India, Op. 66a & Imperial March, Op. 32
Elgar: Enigma Variations
Elgar: Enigma Variations; Pomp and Circumstance
Elgar: Enigma Variations / Pomp and Circumstances Marches, Nos. 1-5
