Philipp Heinrich Erlebach, the composer, spent his entire career at the court of the Count of Schwarzburg-Rudolstadt, rising from valet and musician to Kapellmeister in 1681.
Historical Context
The combination of violin (Italian origin) and viol (French origin) in concert works became a defining feature of German instrumental music in the late 17th century.
Compositional Technique
Two of the sonatas on this album require scordatura (modified tuning) for the violin, and one uses a violino piccolo, a smaller violin tuned a third higher.
Composition History
Erlebach published this volume of sonatas for violin and viola da gamba in 1694, after the success of his earlier 'Ouvertures' in French style.
Historical Context
The 17th century saw German instrumental music, including these sonatas, incorporate elements from both Italian and French styles, a characteristic of composers outside Italy and France.
Composer's Artistic Vision
Erlebach's sonatas blend Italian and French styles, combining the Italian sonata form with French dance movements like Allemande, Courante, Sarabande, and Gigue.
Composition History
A fire in 1735 at Rudolstadt castle destroyed most of Erlebach's compositions, meaning many of his works are only known through rare manuscript copies and published editions.
You might also enjoy...
Sonatas for Oboe & Organ
Corelli: Opere I e III
Seicento stravagante: Music for Cornetto & Keyboard
