Johann Friedrich Fasch, though less known today, was highly respected during his lifetime and served as court Kapellmeister in Zerbst for most of his career.
Critical Reception
None of Fasch's music was published during his lifetime, and he was largely overlooked by music historians until Hugo Riemann's studies around 1900.
Composer's Artistic Vision
Fasch is recognized as an innovator in the transitional period between Bach and Haydn, synthesizing Baroque and Classical styles with modern elements.
Compositional Technique
Fasch's concertos often combine diverse solo instruments, a technique also seen in works by Telemann, Bach, and Handel.
Performer Biography
Il Gardellino, founded in 1988 by Marcel Ponseele and Jan de Winne, specializes in performing on period instruments and regularly appears at European festivals and in the USA.
Composer Biography
Despite his demanding role as Kapellmeister in Zerbst, Fasch maintained close contacts and exchanged scores with prominent contemporaries like Graupner, Telemann, Heinichen, and Pisendel.
Compositional Technique
Fasch uniquely uses wind instruments not as soloists within the concertino, but in transitional sections to thin out orchestral texture or for echo effects.
You might also enjoy...
Telemann: Wind Concertos
Johann Sebastian Bach: Brandenburg Concerto No. 4 / Georg Philipp Telemann: Concerto for 3 Violins in F Major / Johann Wilhelm Hertel: Trumpet Concerto in D Major
Telemann: Trumpet Concertos
J.S. Bach: Concerti BWV 1042, 1043, 1044 & 1055
Bach from Italy: The Vivaldi & Marcello Influences
