
Guerrero: Missa De la batalla escoutez & Other Works
Featuring
Did you know?
1/7Composer's Artistic Vision
Guerrero, a devout priest-musician, was also able to compose delightful secular music and delicate vernacular religious songs, unlike his contemporaries Morales and Victoria.
Instruments
The ensemble of instruments used at Seville Cathedral during Guerrero's career typically included three shawms (chirimías), two sackbuts (sacabuches), cornetts (cornetas), and recorders (flautas).
Compositional Technique
The Seville Cathedral Chapter Acts reveal that instrumentalists were instructed to play motets and other polyphonic music on their own, and also contributed to 'alternatim' performances, replacing sung verses with instrumental renditions.
Historical Context
During Guerrero's time, major cathedrals in Spain like Seville and Toledo employed groups of wind players, known as ministriles, on a contract basis.
Recording & Production
This recording by Westminster Cathedral Choir aims to emulate the variety of sound found in Guerrero's liturgical music by involving instruments, including shawms, cornetts, flutes, sackbuts, and the bajón.
Cultural Impact
Guerrero's compositions were revered and emulated for centuries after his death, with many of his motets serving as models for Masses by other composers well into the 17th century.
Composer Biography
Francisco Guerrero, the composer, spent his entire career serving Seville Cathedral, starting as a boy chorister and later becoming maestro at Jaén Cathedral at 18.
















