Linda Richardson, the soprano on this album, trained at the Royal Northern College of Music and was a company principal at English National Opera between 1997 and 2005.
Recording & Production
The microphones used for this recording include Thuresson CM 402 (main sound), Schoeps MK22/MK4/MK6, DPA 4006 & 4011, and Neumann U89.
Recording & Production
The recording uses a 96 kHz sample rate, which can capture frequencies up to 48 kHz, based on the theory that higher frequencies, even if unheard, affect the lower frequencies we do hear.
Composer's Artistic Vision
Regardless of composer or style, the ability to deliver a sustained cantabile line and give detailed attention to the text remained constant requirements for Italian opera singers throughout the 19th century.
Recording & Production
This Chandos recording utilizes 24-bit / 96 kHz technology, which provides a dynamic range up to 48 dB greater and 256 times the resolution of standard 16-bit recordings.
Historical Context
Operatic singing underwent fundamental changes throughout the nineteenth century, with composers demanding more forceful approaches and expanding orchestras placing greater physical demands on the voice.
Recording & Production
The Thuresson CM 402 microphones, used for the main sound of this recording, are hand-built by the designer, Jörgen Thuresson, in Sweden.
You might also enjoy...
Kiri Te Kanawa Sings Verdi and Puccini Arias
Mirella Freni - Un ballo in maschera; Don Carlos; Aida; Otello; Turandot; Manon Lescaut; La Bohème; Madama Butterfly
