Bach himself was a transcriber of other composers' works, suggesting he viewed music as living material capable of infinite regeneration, transcending specific instruments.
Instruments
The 1953 Gaveau concert grand piano used for this recording was once played by Georges Cziffra in the early 1970s before it was damaged by fire.
Critical Reception
Bach's Cello Suites were largely forgotten until cellist Pablo Casals rediscovered them in the late 1930s, restoring them to their place of honor.
Recording & Production
The recording was made on a 1953 Gaveau concert grand piano, which the performer, Thomas Jarry, acquired at auction for one euro per kilo after it was damaged by fire and nearly discarded.
Historical Context
This year marks the 300th anniversary of Bach's Six Cello Suites, which are now considered essential repertoire.
Interpretation
The pianist, Thomas Jarry, chose to give these piano adaptations a Baroque spirit and aesthetic, which he notes is not found in other existing transcriptions.
