
J.S. Bach: Sonatas for Viola da Gamba and Harpsichord
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1/7Composer Biography
Bach was connected to two families of gamba virtuosi: the Abels (Christian Ferdinand Abel was court gambist in Cöthen, and his son Carl Friedrich Abel studied with Bach) and the Hesses (Ernst Christian Hesse studied with Marin Marais and Antoine Forqueray).
Performer Biography
Sarah Cunningham, one of the foremost viola da gambists, co-founded Trio Sonnerie and has toured globally, collaborating with artists like Sir James Galway and Jordi Savall.
Performer Biography
Richard Egarr, the harpsichordist, was Music Director of the Academy of Ancient Music for 15 years and is currently Music Director of the Philharmonia Baroque Orchestra & Chorale.
Historical Context
Many of Bach's chamber works, including possibly these sonatas, are now thought to have been composed in Leipzig, where he was active in the Collegium Musicum at Zimmermann's coffeehouse.
Composer's Artistic Vision
Bach's Gamba Sonatas are not merely contrapuntal exercises; they evoke the flexibility and eloquence of obbligato instrumental parts in his cantatas and Passions, matching the rhetorical beauty of vocal lines.
Composition History
The exact date and dedicatee of Bach's Gamba Sonatas are unknown, and only the first sonata survives in Bach's own handwriting.
Compositional Technique
Bach's Sonatas for viola da gamba and harpsichord feature a unique three-part contrapuntal texture shared between the two instruments.













