The Habsburg emperors of the 17th and 18th centuries, particularly Charles VI, considered religious sentiment and the adoration of the Virgin Mary to be fundamental to society and their rule.
Compositional Technique
Fux's embellishments, often called coloraturas, were always melodically justified and avoided meaningless displays of virtuosity, which would not have been tolerated given the seriousness of the occasion.
Recording & Production
This album was recorded in the chapel of the Albertus Magnus-Gymnasium in Vienna from January 6-8, 2017, utilizing the school's organ.
Composer Biography
Johann Joseph Fux, the composer on this album, was born around 1660 in Hirtenfeld, Styria, and became court composer to Emperor Leopold I in 1698, later serving as imperial court chapel-master until his death in 1741.
Compositional Technique
Fux's vocal writing adheres to his own theoretical treatise, Gradus ad Parnassum, emphasizing that melodies should always suit the text and preserve the language's emotional affect.
Historical Context
All Habsburg rulers since Ferdinand III composed church music themselves, and their musical decisions were based on deep knowledge, not momentary whim.
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