The temperament used for this recording is hypothetical, but it remains within the German tradition, favoring keys with fewer alterations to avoid the drawbacks of equal temperament.
Compositional Technique
Bach's writing is so dense and complex that there is a 'right' tempo for each piece, where every note finds its correct position in relation to others, achieving an 'eternal time' (aión).
Historical Context
Historically, interpretative indications in musical scores were sporadic because they were part of common musical practice and a musician's knowledge, not always written down in treatises.
Composer's Artistic Vision
Johann Sebastian Bach, the composer of the works on this album, sought an 'absolute truth' in his music, which can only be grasped through continuous research and diligent work.
Recording & Production
This recording was made 'telquel' (as is), a linear reproduction of the existing sound and natural environment, without filters or bass reinforcements.
Interpretation
The album's title, 'alio modo' (in another way), reflects the performer Amaya Fernández Pozuelo's interpretative philosophy, which aims to shed new light on Bach's music.
Instruments
The harpsichord used for this recording was made by Ferdinando Granziera in Milan in 1988, following the Flemish school of instrument building.
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