
Jörg Schneider considers Fritz Wunderlich his greatest role model, admiring his clear articulation and his ability to sing German with an Italian technique.
After his voice broke, Jörg Schneider initially trained as a hairdresser, a profession he thought would be his artistic fulfillment.
Jörg Schneider, the tenor on this album, was a member of the Vienna Boys Choir and was a solo singer from his second year with them.
Jörg Schneider's singing technique, which he describes as Belcanto, focuses on maintaining the musical line while ensuring the text remains understandable.
Jörg Schneider believes that operetta, when performed at a high level, can be more demanding than some operas, requiring strong acting in addition to singing.
Jörg Schneider joined the choir of the Vienna State Opera at the age of twenty-one, initially as a temporary replacement, after having a background in church music.