Félicien Brut, the accordionist, chose to present this album as a personal confession, aiming for an intimate atmosphere to share his love for the accordion.
Instruments
Félicien Brut performs on a Gadji accordion, which was designed and maintained by Stéphanie Simon.
Interpretation
The 'Preludes' on this album feature classical works by composers like Bach, Chopin, and Brahms, transcribed for the accordion, an instrument they were not originally intended for.
Album & Artwork
The album is structured into five cycles, each containing a Prelude, a Waltz, and a Flight, which collectively summarize the history of the accordion.
Composer's Artistic Vision
The 'Flights' section of the album showcases original repertoire for the concert accordion, created by composers who worked to overcome the instrument's perceived limitations.
Cultural Impact
The waltz has been an indispensable companion to the accordion, contributing significantly to its history and aura, from taverns to jazz clubs and movie theaters.
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