
Langgaard, R.: Messis / In Tenebras Exteriores
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1/7Composer's Artistic Vision
The title 'Messis' is Latin for 'harvest time' and refers to Christ's Parable of the Wheat and the Tares, symbolizing the end of the world.
Critical Reception
The premiere of the first two parts of Messis in Copenhagen Cathedral in 1936 received negative and dismissive press, and the composer was not allowed to present the final part there.
Composer Biography
Langgaard's hour-long First Symphony, completed in 1911, could not be performed in Denmark but premiered successfully in Berlin in 1913 with the Berlin Philharmonic.
Composition History
The organ trilogy Messis, with a total playing time of almost two hours, was the only major work Rued Langgaard completed between 1930 and 1940.
Compositional Technique
The third movement of Messis, 'Juan', borrows its rondo theme from the piano elegy 'Skoven sukker' (The Forest Sighs) composed by Rued Langgaard's father, Siegfried Langgaard.
Composer Biography
Rued Langgaard, the composer, was considered an outsider in Danish music due to his Late Romantic and Symbolist background, which clashed with the anti-Romantic views prevalent in Denmark during the interwar years.
Compositional Technique
In Messis, Langgaard freely uses the entire Romantic expressive range, contrasting almost banal music with harsh dissonances and violent eruptions.
















