
Lassus: Missa Bell' Amfitrit' altera – Festal Sacred Music of Bavaria
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1/7Historical Context
Hans Leo Hassler, a German composer, was a Protestant but wrote many Latin settings for Catholic use, demonstrating the complex religious landscape of the time.
Compositional Technique
Lassus's Missa Bell' Amfitrit' altera, an eight-part setting, avoids pure antiphonal Venetian dialogue, preferring interplay between groups from both choirs.
Recording & Production
The organs used for this recording were prepared by Malcolm Greenhalgh, and the pitch was set at A = 440Hz with a 6th-comma meantone temperament.
Composition History
The music on this album is arranged to recreate a festive Mass in Bavaria around 1600, specifically for the feast day of a martyr-bishop.
Composer Biography
Orlandus Lassus, a Flemish composer, was Bavaria's most prominent musician in the late 16th century, serving as Kapellmeister at the Bavarian court in Munich for nearly forty years.
Compositional Technique
For variety, Lassus wrote short sections of the Mass for only four voices in a flowing contrapuntal style, with the return of the full choir creating an electrifying impact.
Historical Context
Christian Erbach, another German composer, was employed by the Fugger family, important patrons in Augsburg, and succeeded Hassler as organist of St Moritz and city organist.























