
The introductory trope "Sanctissimus" is no longer sung in today's liturgy but in the Middle Ages, it introduced the principal entrance hymns of the year.
This recording brings together all the pieces for the four Sundays of Advent, offering a meditative experience of the mystery of the Lord's coming.
The "Prosula" is a medieval composition that comments on the liturgy, traditionally linked to the Alleluia of the second Sunday of Advent, emphasizing the Saviour's second coming.
The first words of the entrance antiphon, "Ad te levavi animam meam," define prayer as the elevation of the soul to God, expressed through a resolute melody.
Gregorian chant, a form of monophonic, unaccompanied sacred song, is used to evoke both the long waiting of people and their joyful hope.
The Advent season, during which the Church prepares for Christmas, encompasses the historical coming of Christ, His final coming, and a personal mystical coming for each believer.
The Third Sunday of Advent, known as Gaudete, is marked by joyful hope, with rose liturgical vestments instead of violet, reflecting the faithful's inner joy.