The harpsichord used for this recording is a 1999 instrument by Philippe Humeau, modeled after German harpsichords.
Performer Biography
Lillian Gordis, the harpsichordist on this album, is known for her innovative and audacious playing, and has been hailed as 'a Martha Argerich of the harpsichord' by ResMusica.
Recording & Production
This album was recorded in November 2020 at the Doopsgezinde Kerk in Haarlem, Netherlands.
Interpretation
The harpsichordist, Lillian Gordis, chose to present this album as a recital rather than a complete cycle of works, aiming for intimacy with the listener.
Album & Artwork
This project transformed into a double disc, presented as a 'mirror' with a distinct recital on each side, which can be listened to separately or together.
Performer Biography
Lillian Gordis, the harpsichordist, fell in love with the harpsichord at age 9, and at 14, was discovered by harpsichordist Pierre Hantaï who encouraged her to study in France.
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