Performer Christophe Rousset chose a pure quarter-comma meantone temperament for this recording, which was the standard aesthetic for organs and harpsichords in Louis Couperin's time.
Instruments
The harpsichord used for this recording, built by Ioannes Couchet in Antwerp in 1652, is one of only six known to exist.
Instruments
The Couchet harpsichord, originally a typical Flemish instrument, underwent a "moderately major renovation" in France in 1701, which preserved its original case structure.
Compositional Technique
Louis Couperin's unmeasured preludes are unique in French music, written as successions of whole notes without rhythm, giving the interpreter absolute freedom.
Composer Biography
Louis Couperin was introduced to Parisian musical circles and the French court by Jacques Champion de Chambonnières, a renowned harpsichordist and his benefactor.
Recording & Production
This recording is part of the "Stradivari Collection," a partnership between the Paris Philharmonie's Museum of Music and Harmonia Mundi, showcasing historical instruments from the museum's collection.
Composer's Artistic Vision
Louis Couperin's music, particularly his unmeasured preludes, offers immense freedom to the performer, allowing for improvisation and exploration.
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