
Magnus Lindberg: Aura, Marea & Related Rocks (Live)
Featuring
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1/7Composition History
Magnus Lindberg's work Aura was dedicated to the memory of Witold Lutosławski, a Polish composer, after Lindberg learned of Lutosławski's death while writing the piece.
Composition History
The works on this album, Marea, Aura, and Related Rocks, offer three views of Magnus Lindberg's output from the 1990s, showcasing his new serialist-spectral approach, symphonic mastery, and chamber music writing.
Composer's Artistic Vision
The title of Related Rocks was inspired by a geological exhibition, where Magnus Lindberg saw a unified assemblage of diverse rocks and minerals, which he viewed as a metaphor for composing.
Compositional Technique
All three works on this album share a 'definite dramaturgy' or 'plotline,' which fuses and distills the music's energy towards a final culmination, reminiscent of composers like Beethoven or Sibelius.
Composer Biography
Magnus Lindberg, the composer, experienced a severe tropical disease that prevented him from working for 18 months, leading to a significant shift in his compositional style.
Compositional Technique
Related Rocks for two pianos, two percussionists, and electronics, incorporates a wide variety of material in its electronic part, including sounds from a Chinese cymbal, a Baroque cello, and even an old piano being dismantled.
Composer's Artistic Vision
Lindberg's new harmonic approach, after his illness, merged serialist and spectral techniques, which he described as 'reflecting a tightly structured harmonic model against a kind of natural way of hearing and organising harmony, based on the overtone series'.
















