The 'Mahler Revival' of the 1960s, triggered by centenary celebrations, was described as an 'epiphany' that mirrored Mahler's prophecy that his music would be recognized about 50 years after his time.
Historical Context
In 1948, nearly four decades after his death, Gustav Mahler was still widely considered an 'unwieldy' and 'way-out' composer with only a small audience.
Critical Reception
In 1958, a critic reviewing a book on Mahler stated that his music divided opinion because it was 'immoderate' and therefore 'neither quite healthy nor quite artistic'.
Composer Biography
Mahler's submission of the 'Waldmärchen' movement from Das klagende Lied was turned down by the Beethoven Prize judges, including Johannes Brahms, and later by Franz Liszt.
Composition History
Mahler's widow, Alma, initially imposed a ban on anyone attempting to complete his draft sketches for the Tenth Symphony, which was later rescinded due to the efforts of Jerry Bruck, Harold Byrns, and Jack Diether.
Composition History
Mahler himself wrote the sung text for Das klagende Lied, basing it on German folklore writings by the Grimm Brothers and/or Ludwig Bechstein.
Performer Biography
Hermann Scherchen, conductor of the Adagio from Mahler's Tenth Symphony on this album, was a 'true Mahler pioneer' who often programmed the composer's works when they were rarely heard.
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