Marenzio: Motectorum pro festis totius anni 1585, parte seconda

Featuring

Giulio Monaco
Progetto Musica
Luca Marenzio

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Critical Reception

Palestrina, a prominent contemporary composer, gave a negative judgment on Marenzio's motets, possibly due to stylistic differences or a desire to promote his own circle.

Interpretation

The recording features some motets performed with both voices and instruments, or with instruments alone, including diminutions, reflecting common performance practice of Marenzio's era.

Composition History

Marenzio likely composed these sacred motets to demonstrate his contrapuntal skill and secure a position at the St. Barbara Chapel in the Gonzaga court.

Instruments

The instrumental consort on this album includes a violin, viola da braccio, cello, and violone, highlighting Brescia's significant role in instrumental music during the 16th and 17th centuries.

Composition History

Luca Marenzio dedicated these motets to Scipione Gonzaga, one of his Roman patrons.

Composition History

Marenzio's 'Motectorum Pro Festis Totius Anni' follows the liturgical year, beginning with Christmas and ending with the Feast of St. Thomas on December 21st.

Compositional Technique

Marenzio's motets on this album are characterized by a traditional style, free of experimentalism, and showcase absolute formal elegance and masterful contrapuntal artistry.