
Messiaen, O.: Quatour Pour La Fin Du Temps / Theme and Variations / Les Offrandes Oubliees
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1/7Composition History
Messiaen composed parts of the Quatuor pour la fin du Temps using existing music, adapting sections from earlier works like Fête des belles eaux and the organ Diptyque.
Compositional Technique
The Quatuor pour la fin du Temps is prefaced by a quotation from the Book of Revelation, which describes a mighty angel announcing that 'There shall be Time no longer'.
Composition History
Olivier Messiaen's Quatuor pour la fin du Temps (Quartet for the end of Time) was composed during World War II and first performed in a prisoner-of-war camp.
Historical Context
Messiaen was called up to the army in September 1939 and later taken prisoner by the Germans in May-June 1940, leading to his internment in Stalag VIIIA.
Compositional Technique
In Thème et variations, a trill on a high E by the violin is a private joke, as 'Mi' (the French note E) was Messiaen's affectionate nickname for his wife, Claire.
Composer's Artistic Vision
Les Offrandes oubliées, subtitled 'symphonic meditation', is explained by Messiaen's poetic prologue about Christ's sacrifice and humanity's sin, connecting the music to 'The Cross', 'Sin', and 'The Eucharist'.
Composition History
Messiaen composed Thème et variations for violin and piano as a wedding gift for his wife, Claire, an accomplished violinist and composer.



















