
Moscheles: Piano Concertos Nos. 1, 6 & 7 (Hyperion Romantic Piano Concerto 32)
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1/7Composer's Artistic Vision
Moscheles' final three piano concertos, titled 'Fantastique,' 'Pathétique,' and 'Pastorale,' show his increasing interest in the emotional emancipation of the 1830s.
Composition History
Moscheles was commissioned to arrange the piano score of Beethoven's opera Fidelio in 1814, leading to regular visits with Beethoven.
Recording & Production
This album was recorded in Hobart, Tasmania, in 1999, featuring Howard Shelley as both pianist and conductor with the Tasmanian Symphony Orchestra.
Composer Biography
Moscheles was a student of Albrechtsberger and Salieri in Vienna, and counted Meyerbeer and Hummel among his friends.
Compositional Technique
Unusually for the time, none of Moscheles' last three piano concertos include a cadenza.
Composer Biography
Ignaz Moscheles (1794-1870) was considered by many to be the supreme piano virtuoso of his day between 1815 and 1830.
Composer Biography
Moscheles formed a lifelong and intimate friendship with Felix Mendelssohn, beginning when he taught the young Mendelssohn in Berlin in 1824.












