
Wilhelm Furtwängler was cleared of all allegations of collaborating with the National Socialists in December 1946, with Yehudi Menuhin and Ernest Ansermet advocating for him.
Wilhelm Furtwängler believed that an interpreter should make music live through rigorous preparation and understanding, allowing for a small part of improvisation to keep the work alive.
Wilhelm Furtwängler, the conductor on this album, was the son of archaeologist Adolf Furtwängler and grew up in a humanistically influenced home in Munich.
Wilhelm Furtwängler resigned his post in December 1934 for political reasons after taking on numerous Jewish artists, which was criticized by the National Socialist regime.
Wilhelm Furtwängler became the director of the Leipzig Gewandhaus Orchestra and the Berlin Philharmonic Orchestra in 1922, succeeding Arthur Nikisch.
Wilhelm Furtwängler considered improvisation the fundamental form of all musical activity, stating that a work is born by freely launching into space.