The liner notes for this album were written and translated by Clara Brunet Ricercar, who is also one of the performers on the album.
Instruments
Performer Bor Zuljan collaborated with luthier César Arias to develop a 10-course electric orpharion prototype, completed just a week before this album's recording, which features steel strings and a custom magnetic pickup.
Instruments
The orpharion used for this recording is a copy of a 1617 instrument by Francis Palmer, built by Bruce Brook, and features historically accurate brass, iron, and pure silver strings.
Recording & Production
This album was recorded, mixed, and mastered by Jean-Daniel Noir at Studio Noir in Grandevent, Switzerland, from March 13-16, 2025.
Instruments
The orpharion, a metal-strung instrument tuned like a lute, was invented around 1580 by luthier John Rose, who named it after the mythical musicians Orpheus and Arion.
Instruments
Francis Palmer's 1617 orpharion is the oldest known instrument with fanned frets, a design feature that has recently resurfaced in electric guitar making.
Album & Artwork
The album's accompanying text is designed to be read in synchrony with the music, offering a parallel narrative for a more integrated experience.
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