
Mussorgki: Pictures at an Exhibition, Night on Bald Mountain
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1/7Composer Biography
Modest P. Mussorgsky wrote Pictures at an Exhibition in 1874, inspired by an exhibition commemorating his close friend, the painter and architect Viktor Hartmann, who died suddenly in 1873.
Recording & Production
This album was recorded in the Versöhnungskirche in Leipzig, a church built in 1932 in the style of New Objectivity, known for its clear and direct acoustics.
Interpretation
Igor Markevitch's interpretation of Mussorgsky's Pictures at an Exhibition in Ravel's orchestration aims for a rough and angular sound, suggesting an imagined reorchestration by Mussorgsky himself.
Performer Biography
Igor Markevitch, the conductor on this album, was also a successful composer and university lecturer, and his pupils included Daniel Barenboim, Herbert Blomstedt, and Wolfgang Sawallisch.
Composition History
Mussorgsky's Night on Bald Mountain, a 'fantasy for orchestra', was written between 1860 and 1867 and was later revised and incorporated into his opera Sorochinskaya yarmarka.
Compositional Technique
The 'Promenade' interlude in Mussorgsky's Pictures at an Exhibition features an irregular metre, changing between 5/4 and 6/4 time, and undergoes modifications to suit each picture it connects.
Composition History
Mussorgsky's Pictures at an Exhibition was inspired by ten of Viktor Hartmann's artworks, which the composer transmuted into sound, melody, harmony, and rhythm.















