All composers on this album worked during a period of renewed Catholic faith and within the context of devotional confraternities, which focused more on works of mercy and divine praise.
Historical Context
In Venetian institutions, only girls received advanced musical instruction, and music served as an 'immaterial dowry' for poor women to escape destitution.
Historical Context
The new spirituality of the Counter-Reformation reasserted the figure of Mary and emphasized monastic vows, with nuns esteemed as 'brides of Christ'.
Historical Context
Venetian hospitals, like the Ospedale della Pietà, housed orphans and developed intensive musical activities, becoming conservatories that offered high-quality musical education.
Composition History
Vivaldi's Nisi Dominus (RV 608) and the motet Invicti bellate (RV 628) were composed specifically for the Pietà and likely intended for the Feast of the Visitation.
Historical Context
The musical journey on this album centers on divine praise, with sacred music intended to strengthen faith and vernacular language aiding text comprehension.
Composer Biography
Antonio Vivaldi (1678-1741) transformed the orphan girls at the Pietà into excellent instrumentalists, renowned throughout Europe for their concert quality.
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