
O Crux Benedicta. Lent and Holy Week at the Sistine Chapel
3/1/2019, 22 Tracks, 1:15:20

Works for double chorus and motets with boys' voices for the cantus line were recorded in front of the altar in the Sistine Chapel.
For aesthetic authenticity, plainchant and motets sung by men with falsettists were recorded in the historic choir loft of the Sistine Chapel, where the choir traditionally stood.
The Sistine Chapel Choir, featured on this album, is the oldest choral institution in the world.
This album aims to present 'early' music as 'alive' and relevant today, using critical tools for reinterpretation rather than assuming an unbroken tradition of performance practice from Palestrina's time.
The recording prioritizes an authentic vocal style, emphasizing agility and refinement, influenced by the unique acoustics of the Sistine Chapel.
The music on this album was sourced from the Vatican Library's Sistine Chapel Collection, with some exceptions requiring consultation of other historical manuscripts.
Renaissance liturgical music, like plainchant, is deeply informed by theological concerns, with Holy Week serving as a central point of reference for composers.