
Ombres: Women Composers of La Belle Époque
Featuring
Did you know?
1/7Historical Context
The Conservatoire National de Musique, established in 1795, was the first French higher education institution open to young women, though composition was not among the subjects offered to them.
Album & Artwork
The album title 'Ombres' (Shadows) aims to bring the music of these Belle Époque women composers out of oblivion, revealing their extraordinary creativity.
Composer Biography
Cécile Chaminade, a composer featured on this album, achieved considerable success in the United States, where 'Chaminade Societies' formed, making her a role model for modern women.
Historical Context
During the Belle Époque in Paris, women's status remained unchanged, limiting their access to professions like being a composer, despite the city's liberal atmosphere.
Performer Biography
Ammiel Bushakevitz, the pianist on this album, was one of the last private students of the renowned Lieder singer Dietrich Fischer-Dieskau.
Composer Biography
Mélanie (Mel) Bonis, a composer on this album, studied at the Paris Conservatoire alongside Claude Debussy and Gabriel Pierné, winning a first prize in harmony.
Composer Biography
Pauline Viardot, a composer and singer on this album, was the daughter of Spanish tenor Manuel García and sister of legendary soprano Maria Malibran.























